![]() ![]() However, what remains intact is the intent of providing unabashed entertainment. All hell breaks loose at this point.ĭirector Anthony D'Souza tweaks the plot of POKKIRI RAJA to meet the needs of the time and make it more identifiable to the Northern audience. Meanwhile, Satyakant's younger son, Shiv, bashes up the Home Minister's son Vishal, who's harassing Ankita, the sister of a top cop. ![]() When he serves his term and is released, Boss moves to another city. The plot of BOSS is equally simplistic: Satyakant unknowingly kills a teenager and his eldest son, Boss, takes the blame on himself. This one's for those who feast on unadulterated, pure desi entertainers with glee. This one does that too: It offers entertainment by the bucketful and celebrates the formula with panache.įinal word? BOSS is *not* for those who find it fashionable to run down masala films. The film transports you to the cinema of yore, when the sole motive of a movie was to please, appease, amuse and entertain the spectators and reap a harvest at the BO. in fact, BOSS is a fast-moving roller-coaster ride that gives you no time to think. īOSS is a clear departure from previous Akshay starrers, yet it has everything that spectators look for in masala fares - a daring hero with loads of heroism, the emotional chord between two brothers and their father, a corrupt cop, the fight between good and evil, a tadka of comedy, hummable soundtrack, clap-trap dialoguebaazi, lots of gravity-defying stunts. Post the humungous success of ROWDY RATHORE, Akshay Kumar waltzes back to no-holds-barred formula, unleashing yet another runaway entertainer - BOSS, the remake of the Malayalam hit POKKIRI RAJA. In short, old-fashioned entertainers were back in vogue. All of a sudden, the Hindi film audience got a taste of logic-less laughs, unrestrained masala, groovy tunes and popular Southern-styled stunts. The dream merchants and storytellers too felt that they had finally found the formula for a hit. Almost every actor in Mumbai decided to hitch the bandwagon. The victory of these two films triggered off a plethora of masala entertainers, reminiscent of Bollywood of 1970s and 1980s. Murugadoss and Prabhu Dheva revived the trend of masala movies with GHAJINI and WANTED, respectively. ![]()
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